The following is an excerpt from the anthology Ten Arab Filmmakers edited by Josef Gugler and published by Indiana University Press (2015). Mohamed Chouikh occupies a key position as a kind of relay between the post-colonial, idealized Algeria of the 1960s and what one might call the contested, dysfunctional Algeria …

Enduring Commitment Syrian drama has oscillated between accommodating and challenging persistent authoritarianism, the Islamic tendency, and the neoliberal moment. In addition to sensational thrillers and costume dramas, Syrians continue to produce works that harken back to an earlier era of Arab cultural production. Realist dramas join sociopolitical satires in critiquing …

Eshtebak (Clash) defies convenient stereotypes of heroes and villains. There are no comfortable answers, and there is no feel-good storyline; it is unapologetically raw and gritty. Clash compels audiences to doubt their perceptions of conflict and political antagonism, a vexing challenge for an Egyptian public accustomed to propagandist narratives on …

Ronnie Close, an academic and assistant professor at the American University in Cairo, welcomes the volume into the discourse on visual content. He contextualizes the scholarly work by providing information on related fields, and he assesses the compilation's overall cohesion.

In his most recent book, Mohannad Sabry examines a region that remains a mystery to people around the world. His thorough research and extensive field experience yield profound insight into the complex claims in the territory that have influenced Sinai's history and its present.

In her recent book, Seba Bebawi assesses the veracity of Al Jazeera English's self-proclaimed role as a radical "counter-balance" to mainstream global media. She demonstrates a nuanced understanding of modern media through direct narrative comparisons of the same events covered by Al Jazeera English and by other media outlets.

With the demise of the second Arab autocrat within a month, people power seemed on the verge of revolutionizing the Middle East, a region known for its monarchs and presidents for life. Abdalla Hassan's book unpacks Egypt’s media and political dynamics—tracing events leading up to the 2011 revolution, the 18 days of uprising, military rule, an Islamist president’s year in office, his ouster by the army, and the reestablishment of the military presidency. Expanded freedoms of expression, in the press and on the streets, have contracted with the skillful reinvention of repression. This is the story of an uprising.

Managing Editor Sarah El-Shaarawi conducts an in depth review of BBC Media Action's policy breif After the Arab Uprisings: The prospects for a media that serves the public, examining the viability of their proposed recommendations for reforming Arab national broadcasters.

In Civil Imagination: A Political Ontology of Photography, Ariella Azoulay interrogates issues of visual culture, in particular photography, the role of spectator-critics, body politics, and citizenship, through the lens of the Palestinian struggle. She argues that the boundaries of the aesthetic, the political, and the civil perpetuate power relations of nation-states and exclusions. Kiranjeet Kaur Dhillon reviews.

Although the book is poorly rendered into English, Gertz and Khleifi offer an insightful look into Palestinian film and draw an important link between art and politics in Palestinian society, says Sonia Rosen.