In Civil Imagination: A Political Ontology of Photography, Ariella Azoulay interrogates issues of visual culture, in particular photography, the role of spectator-critics, body politics, and citizenship, through the lens of the Palestinian struggle. She argues that the boundaries of the aesthetic, the political, and the civil perpetuate power relations of nation-states and exclusions. Kiranjeet Kaur Dhillon reviews.

This paper was presented at the Broadcast Education Association's annual convention in April 2004, where the author participated in a panel organized by the association's International Division. The dark desert night is alight with streaks of blue and red streaming across the sky. A mosque is the symbol-laden backdrop for …

This article first appeared in The New York Times. All of life seems to be about denial--the denial of death, the denial of reality, the denial of everything that is convenient for us to deny. Photography, because of its causal relationship to the world, seems to give us the truth or …