In the wake of the Arab uprisings, journalists, activists, and scholars coupled creative with revolution (or dissent, protest, resistance) to describe political graffiti, rap, art, and video. Distinguished institutions, from the Prince Claus Fund of the Netherlands to the Arab American National Museum in Dearborn, Michigan, lend the concept gravitas. …

Masudul Biswas and Carrie Sipes perform a comparative content analysis of Twitter and Facebook posts from a sample of Syrian and Libyan activist groups. By considering online content in the context of post-revolution Libya and the continuing upheaval in Syria, the authors shed new light on online activist agenda-setting. They find that while social media is used as a tool to maintain and expand momentum during revolution, in a post-revolution climate the same media serves as a venue for idea-sharing and political discourse.