Some feared the 2008 novel The Jewel of Medina would create the fiercest backlash among Muslims since the Danish cartoon scandal. So why hasn’t it? Shereen El Feki looks at the politics surrounding the book’s publication.

In such a crowded market, how can newspapers possibly resist advertisers’ demands to produce business-friendly coverage? Peyman Pejman puts the tough questions to editors of the UAE’s six English language dailies.

Jabbar al-Obaidi’s typology of the region’s media is a valuable contribution, writes John Measor, but imprecise analysis and failure to engage with existing scholarship undermines the work as a whole.

Hamid Dabashi gives “blood and bone” to the lives and predicaments of Iran’s filmmakers. Yet his conceptions of “realism” seem to be surrogates for aesthetic judgments, argues Farouk Mitha.

Massad’s work on Arab sexuality in literature and media in reference to Said’s Orientalism will no doubt promote fruitful discussions, says Stephanie Tara Schwartz.

Hosam El Sokkari, the man behind the BBC's move into Arabic-language television, insists the new channel will not be the British Alhurra. So why would the British public want to spend Foreign Office money on a channel in the Arab world? Co-Editor Lawrence Pintak finds out.

Al Jazeera English’s election night coverage had the feel of a local college TV station, marking another missed opportunity for the channel that has yet to live up to its potential to produce true borderless journalism, writes Publisher and Co-Editor Lawrence Pintak.

Facebook made a splash when it attracted 70,000 members to a group supporting an Egyptian general strike. But were these committed activists or fly by night fans? David Faris on the politics of social networking sites.

Side-by-side renderings of Arabic articles and their English translations make the book useful for students and researchers, yet crude generalizations and culturalist arguments deflect from Kedar’s analytical contributions, argues Book Review Editor Samer Abboud.

Drawing on Sakr’s deep and sophisticated industry expertise, the book is a must-read for anyone interested in the political economy of the Arab television industry, writes Youssef Masrieh.