The financial crisis in the United Arab Emirates has tested the limits of media freedom in the country, and many of the participants, especially government and the media, have fallen short..Sam Potter describes how the local press in the UAE has handled the financial crisis and wonders how long the practice of self-censorship can continue when alternative sources of information are so readily available

The Yemeni government’s refusal to let journalists and foreign observers into the Sa‘ada governorate has helped prolong and intensify the stop-go fighting that has plagued Yemen’s mountainous north since 2004, argues Maysaa Shuja al-Deen.

The newest Persian language satellite network made a splash in the Iranian blogosphere when it began broadcasting in January. But just how far can the BBC go in the face of hostility from Tehran and without local bureaus, asks Contributing Editor Paul Cochrane.

While somewhat limited in locating middle class youth within Iranian society, Varzi’s brilliant work interrogates the relationship between ethnography and processes of fictionalization, writes Jennifer Riggan.

This volume is a welcome start to the long-overdue project of challenging stereotypes of the Gulf as a backward, tribal culture that has been overwhelmed by global cosmopolitanism, argues Reviews Editor Samer Abboud.

Being a business journalist has never been easy in the notoriously tight-lipped UAE. But will investors tolerate Dubai & Co’s culture of keeping quiet amid a global financial crisis, asks Contributing Editor Dana El-Baltaji.

In such a crowded market, how can newspapers possibly resist advertisers’ demands to produce business-friendly coverage? Peyman Pejman puts the tough questions to editors of the UAE’s six English language dailies.

Hamid Dabashi gives “blood and bone” to the lives and predicaments of Iran’s filmmakers. Yet his conceptions of “realism” seem to be surrogates for aesthetic judgments, argues Farouk Mitha.

Al Jazeera English’s election night coverage had the feel of a local college TV station, marking another missed opportunity for the channel that has yet to live up to its potential to produce true borderless journalism, writes Publisher and Co-Editor Lawrence Pintak.

It was only a matter of time before the world’s biggest name in the music and youth entertainment industry would tap into the consumer hungry, but conservative Middle East, writes Contributing Editor Dana El Baltaji