Most American journalists probably know little about covering Islam accurately, fairly, ethically and contextually amid rising levels of xenophobia, hate speech and “fake news” in the U.S., but help is on the way. In 1980, I arrived in Beirut as CBS News Middle East correspondent. My qualifications for covering this complex …

Issue 23, winter/spring 2017 https://doi.org/10.70090/MMK17BEC In the wake of the Arab uprisings, journalists, activists, and scholars coupled creative with revolution (or dissent, protest, resistance) to describe political graffiti, rap, art, and video. Distinguished institutions, from the Prince Claus Fund of the Netherlands to the Arab American National Museum in Dearborn, …

Issue 23, winter/spring 2017 https://doi.org/10.70090/AFH17FRI Anna Rousillion’s feature documentary I Am the People follows Farraj and his family through four tumultuous years in Egyptian history, beginning just before revolution and chronicling their lives in its aftermath. Farraj, the film’s protagonist, is a wiry farmer in the southern province of Luxor, …

Issue 23, winter/spring 2017 https://doi.org/10.70090/GH17BEBP The field of comics scholarship has expanded radically in the past decade as the medium has entered into the realm of mainstream academic discourse, thanks to the contributions of scholars who are themselves comic artists, like Will Eisner and Scott McCloud, and others, notably Hillary …

Issue 23, winter/spring 2017 https://doi.org/10.70090/GA1710AF The following is an excerpt from the anthology Ten Arab Filmmakers edited by Josef Gugler and published by Indiana University Press (2015). Mohamed Chouikh occupies a key position as a kind of relay between the post-colonial, idealized Algeria of the 1960s and what one might …

Enduring Commitment Syrian drama has oscillated between accommodating and challenging persistent authoritarianism, the Islamic tendency, and the neoliberal moment. In addition to sensational thrillers and costume dramas, Syrians continue to produce works that harken back to an earlier era of Arab cultural production. Realist dramas join sociopolitical satires in critiquing …

Issue 23, winter/spring 2017 https://doi.org/10.70090/MAF177SP Mention art, culture, and creativity and you’ve got Kuwait-based Nuqat’s seventh conference boosting innovation, promoting entrepreneurship, uncovering censorship, and serving as a teaching platform.  This year’s three-day conference entitled “The Seventh Sense: Powering the Creative Economy,” delved into the capacity of the brain to come up …

Eshtebak (Clash) defies convenient stereotypes of heroes and villains. There are no comfortable answers, and there is no feel-good storyline; it is unapologetically raw and gritty. Clash compels audiences to doubt their perceptions of conflict and political antagonism, a vexing challenge for an Egyptian public accustomed to propagandist narratives on …

Ronnie Close, an academic and assistant professor at the American University in Cairo, welcomes the volume into the discourse on visual content. He contextualizes the scholarly work by providing information on related fields, and he assesses the compilation's overall cohesion.