In the wake of the Arab uprisings, journalists, activists, and scholars coupled creative with revolution (or dissent, protest, resistance) to describe political graffiti, rap, art, and video. Distinguished institutions, from the Prince Claus Fund of the Netherlands to the Arab American National Museum in Dearborn, Michigan, lend the concept gravitas. …

In a comprehensive study of social media usage among social movement organizations in Lebanon, Jad Melki and Sarah Mallat investigate the efficacy of digital technology as a tool for activism. The authors find that while social media platforms offer a number of perceived benefits to activism work, there remain significant obstacles that manifest both on and offline.

In an entertaining and insightful read, Deepa Anagondahalli and Sahar Khamis delve into the world of Egyptian political humor, unpacking its historical roots and reflecting on its evolution from private banter to public resistance. Focusing on Mubarak’s presidency and subsequent ouster, the authors identify a stark shift from long narrative jokes, to the biting “weaponized” one-liners that emerged in his final days. Humor, they conclude, is a paradoxical yet powerful tool for activism, which despite more recent crackdowns has proven to be a relatively safe platform for dissent.